Summer solstice

Jane Nash: Story ‘Summer Solstice’

Jane Nash
Jane Nash
Imagem criada ´pela IA do Gemini – https://gemini.google.com/app/fd33fed47b7365cd?utm_source=app_launcher&utm_medium=owned&utm_campaign=base_all

I wake and she lifts me as easily as if this body of mine was but 9 years old. At 52 there is the usual overhang, newly forming jowls and in my case, a certain crustiness.  The morning sun spills through the wooden Venetian blinds onto the wooden floorboards. She places me feet first on strange shimmering fabric upon the warm bedroom floor. This material has no substance to it and is the most comfortable magnet you can imagine, tenderly pulling and gathering all that I have to give at the end of the night. I sleep in the warmth of my own snow. Criss-crossed flakes containing the blueprint of streets, the building blocks, the very form of me. Sloughing. It sounds smoother than the actuality of removal. I shed for her.

I was the cause of my own discovery. Picking and stripping tiny pieces of my own skin as it flaked and cracked upon my body was bound to leave a trail like winter’s frosty remnants. But no balls of fun and hilarity are the result of such conditions. Instead, I am reduced to insect bait. I am motioned not to scratch lest I lose the finest rubbings – lacewings drop from the skin on my forehead.

I am a delicacy or at least, is my skin. Not the pink healthy, pig-like thick dermis but the sick, the weak, probably diseased part of me. You should be farmed and managed, she whispers to me as she pulls the crusts from my eyebrows. Once thick, striking, beautiful, youthful and definitive, they now resemble the torment of singeing.  

 By some form of recompense she lulls me to sleep when I take my siesta. She breathes with me.  She has taken me into her confidence. I cannot betray her. We have fallen into a strange symbiosis although I’m not entirely sure it manifests the correct or required balance.  I am also too tired and too bloody sore to fight her any more. We have become co-dependent.

During lockdown she would crawl in through the open window in the attic in the dead of night so not to be spotted. She became more real now that lockdown had stolen the space for private vanities. Shape shifter. Her length denies imagination in negotiating those only slightly open windows. Now she steals my steroids and antibiotics, replacing them with  night candy and I grow more for her. My doctors can’t fathom why I don’t heal. I’m a rarity she says. I try not to lose sight that I am her delicacy, she is not doing me a favour and this might never end. But it will. Soon there will be a thickening and that’s not her predilection. 

This morning I’m wondering, as she looks disappointed with my offering, is there a network of them? How do they communicate? Will a different one come to harvest my scar tissue? It strikes me as being more painful. Not that this is – it’s just strange. The talons at the base of her wrists scoop and drag each fragment of rice-paper thin skin which threatens to leave me. Once renewed, taut, it pulls and cracks and in that instance of striking pain comes the relief of every teenaged cutter who doesn’t understand the processes of their pre-frontal cortex, of their amygdala, of their fight and flight responses.  I’m flying now. 

When she first found me my heart stopped. The same way it stops when you find a leech on the back of your calf muscle, barely feeling it but sickening you all the same.  I was patting my skin dry on stepping out of the shower. I thought it to be my lover behind the frosted glass door but she had forgotten herself and was gathering the remnants of my DNA from my clothes left upon the bathroom floor. At 6ft 4, bent over like an aluminium tent frame, the iridescent patches, sensors, flashed and blinked like the perfect fly’s eyes. Multiplied. It has no face and I call it she because her touch is tender and considered. She has never made me bleed. That’s just the natural order of being stripped clean of loose, crusted skin every morning, every evening, every time I am alone.

At first I thought her to be a hallucination. I spoke to my shrink who gently considered which medications I needed to change. But I knew she was real when I saw the photos I took of my hands and face every week. Evidence is undeniable. I am being cultivated, harvested. Faceless, she makes me feel comfortable. I can imagine she’s some kind of exotic otherworld insect but once she’s sated, that’s when I feel afraid. That’s when I close my eyes and wait for the night to roll into my mind. She quivers, each sensor on her body assimilating each crumb of me and she emits a bismuth light and for thirty terrifying seconds, she becomes a gossamer pyramid, enclosing each fallen scrap of me like organza crystals and emits an eery sound akin to the calling of the wind through the broken milk bottles of my youth.

Jane Nash

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Mamasita

Jane Nash: Poem ‘Mamasita’

Jane Nash
Jane Nash
Mamasita Susan - Personal archive
Mamasita Susan – Personal archive

Nine years old this year
If you were a dog that would be bad
But tis 9 years since the stem cell transplant
9 years since being told
you’re at the end of the road
9 years since sitting in that restaurant
The three of us
Getting to grips with the fact
it might just all be over
The chemotherapy
The sickness
The losing of hair
Which is more devastating
that one can imagine
The terrible wig
The hat I knitted you to keep your head warm
The first thing I had ever knitted
For the last months of your life

Nine years old this year
When all the markers were against you
AML
it sounds like a football club abbreviation
Acute – there’s nothing cute about
Myeloid – it belonged to all of us
Leukemia – there are no good recovery stats
I watched you shrink,
Washed you
Fed you
Watched you hoping all the time
That this was no Black Star
I wanted in the small hours
A Lazarus effect
But to watch your tiny bones
Your shrinking body
Your little face
My soul began to take bites out of itself

Nine years old this year
Nine glorious accounts of rebellion
With each new birthday I have become
A little cheekier with fate
When I feel that my life is at a standstill
I look at your face, your fuller face
Your stronger bones
Your proud to be ageing body
I am reminded that miracles
Come in the form of packages
It takes a team of us, of them and
Your absolute resolve to survive
To happen
I never mind hearing your voice
Even if I’m tired and falling asleep
When you call across the time zones
I relish the sound of you
The recall of your daily adventures

No matter how ordinary
Because life can never be mundane

Jane Nash

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Whale song

Jane Nash: Story ‘Whale song’

Jane Nash
Jane Nash
Imagem criada pelo ChatGPT – https://chatgpt.com/c/6a0c5d2e-db94-83e9-9608-d3b902fd9c2b

He held the V tool in his right hand pushing it away from his anchoring fingers through the rubber block. Slowly. He’d already drawn an outline of his whale for guidance but the details were waiting to come out of his hand and fingers. The silence of the room was punctuated by the rattle of his breathing. Medication keeping him alive and focused were responsible for the speed of his breathing. The rattle, leftover from a week of hay-fever, faded far out of his consciousness, leaving him only aware of the tiny grooves he was carving.

He was meticulous in his carving. It took him an hour to create the whale. He sat back, looking at the 15 x 9 cm carving. Rubber blocks were easier to carve and handle than Lino.  He liked the process rather than final results. Finished products no longer belonged to him as they were ready for sale.

A movement on the desk caught his attention. The whale’s tail flicked out of the block. The blowhole spouted a tiny spurt of water.  The sound of his loud breathing was eclipsed by the sounds of the ocean. Gull cries and the swish of waves entered his ears. A deep whine of whale call rang through his body leaving him breathless. As suddenly as it started, it stopped when he put his hands onto the rubber block.  

Hand printing is a process of patience and accuracy creating something special, a limited edition, a ghost or unique print.  All the while during this process, he couldn’t dismiss his  supernatural experience.  He stared at the black ink spread upon the perspex plate. He carved to add a waterspout coming from the whale on the block.  He covered the block in ink. He laid the paper upon the block and using a baren he pressed the paper into the block. Each press brought with it once again, the sound of crashing waves.

He printed a limited edition of 10. He left them pegged to a line. That night he fell asleep to the sound of whale song.

The next morning was quiet. He shook himself to counter yesterday’s hallucination.  First, a strong cup of sweet tea before he entered his studio. Every print was blank. The block had been inked.  Prints had been pegged to dry but there was nothing to show. He stared hard at the carved block. He half expected the whale to tease him and move a fin, do anything but it didn’t move. He could no longer hear whale song in his mind. The pod he created had swum away in the night. 

Deep breath sighing, he debated whether to reprint the whale or carve something different.  There was clear evidence he’d printed the day before, that wasn’t an hallucination or was it?

He stared at the blank sheets. Convinced the whales had escaped his studio in the night, he settled down to another strong cup of strong tea and began to plan how his art could repopulate the oceans.

Jane Nash

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Foxes

Jane Nash: Poem ‘Foxes’

Jane Nash
Jane Nash
Imagem criada pelo ChatGPT – https://chatgpt.com/c/6a046d80-44e8-83e9-b40e-6d59a8afe405

It starts when sly hands pluck

Static goods, supermarket, newsagent

The close captioned television

Recording each gesture, each movement

Guilt is transmitted long before action

Like crows like ravens

Deciding together to steal

En-masse tiny eggs

Lost shiny earrings, pretty stones

Benign in my observations

There’s no one to report to

No checks or balances in the animal kingdom

Sticky fingers attach themselves

Only foxes have no restraint on greed

Whilst the leaders of the world

Throw missiles at each other

Their greed unchecked

We are no more than a den of foxes

Jane Nash

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A sign in a dark sky

Jane Nash: Micro-Story ‘A sign in a dark sky’

Jane Nash
Jane Nash
Imagem criada pela IA da Meta - https://meta.ai/create/1069616216240091
Imagem criada pela IA da Meta – https://meta.ai/create/1069616216240091

At the beginnings of our time, we watched shooting stars over the blackened palm trees beneath the dark blue velvet, wrapped around the moon.

Stars upon stars upon shooting stars. We hid our wishes from each other lest they be jinxed and not eventuate.

It’s strange to place a wish, a hope upon a termination, the last vestige of a dying star. When did it come to represent positive thinking instead of portents of doom? Is hope a waste of time, a lie or simply an admission of emptiness.

Never-the-less we wished. I did anyway. I assume he did. If not, shame on him for wasting an opportunity to convert a lie into creative projection, whatever that’s worth.

There was no sand in the cuffs of my jeans, no water upon my feet. The cool, hard coral sliced its way into my open palm as I placed my hand down to push me up. My tongue tasted the rusted, steel edge fresh blood conveys.

The moon dripped light from its fabric hammock. He kissed the smudge upon my lips. 

What else was there to see; cosmic tails flaring across our tropical sky or earthly paint of life’s reminder to breathe?

Jane Nash

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Availability

Jane Nash: Chronicle ‘Availability’

Jane Nash
Jane Nash
Pat Hunter (Nanna)
Pat Hunter (Nanna)

I rise at 4am as I have for the past 16 years but there’s no-one to call at this ungodly hour. I have ungodly needs. I’m tempted by Ouiji boards but in truth, I need to find me a necromancer. I fantasise about ayahuasca ceremonies that will let me speak to spirits of the dead, will let me see the dead not as they are but as they were at their best. Sadly this probably includes the darker souls who attach themselves to my memories. I only want to stand behind her and put my arms around her waist.

I am awake at 4.15am and I stare at the link we would use to chat about nothing. I regret my words carried so little of me. I am grateful to have been part of her jigsaw. I consider a mug of mugwort to help me escape this anchored state in these dark hours. But I am paralysed each morning when I wake. She is no longer available.

 Write a letter. Remember the good times. Talk out loud. Look at old photographs. None of this helps. None of them. These suggestions can’t soothe the knife in my stomach, splitting me open, spilling internal organs over the floor.  I bleed tears; pints and pints of tears. There is no end to the concrete, the inanimate nor the silence in the house. The birds sleep and the insects of the night have taken their respite before dawn.

I wait at 4.30am when I would have got an injection of laughter, of gossip, of love. No amount of life in the present fills the gap. I loved her unconditionally I was loved by her unconditionally. Where will I find that again? I don’t bother yearning for a replacement. There can be none.

I lie down at 4.45am. My pillow soaks up the lifeblood of grief. I can’t seem to get rid of the knot in my throat. I wonder whether, after all this time, I am being indulgent after all, it’s been more than the cycle of seasons. Wet, my mouth allows rivers flow over my face to enter the darkness of my insides. Perhaps I don’t want these feelings to go away but I would like to sleep through the night instead of being exhausted on waking from the lack of interaction.

I often dream of her. She looks younger, the grandmother of my childhood. We roam the sand dunes with her dog and my uncle who is four years older than me. I want to reach out to him but I am sure his grief takes a different form than mine. As much as I might want to exchange experiences, I know this is sacred, this silence, this pain through me. It’s mine, not for sharing, as is his.

Jane Nash

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Forks

Jane Nash: Poem ‘Forks’

Jane Nash
Jane Nash
Imagem gerada pelo hatGPT – https://chatgpt.com/c/69e5e639-5c34-83e9-a933-05dc28cc5167

The poem FORKS came to me thinking about forks in life, decision making and how we are meant to face these situations in life. Do I choose the first option or the other? But I was also reminded about a fork of lightning which struck the zip of a young friend of mine when he was playing football in the rain. I was very young, He was no more than 10 years old at the most, in Zambia where I was a child. I think his name was Christopher but I am unsure now. The poem reflects life – human decisions and the decision nature took with a young boy. It also serves as a remembrance for him.

FORKS

I’ve had surprisingly few
Forks in the road
Instead feeling cold metal
Stainless steel
Slice through life’s occurrences
Adventures, obstacles

Where I’ve had two options
Like changing a Mahjong hand
I’ve inevitably picked the wrong one
Preferring to follow butterflies
Forgetting their short lived summers
Barely sustain life’s beauty

The earliest fork I remember
Was the isolated streak of lightning
Forking from the ground to a zip
And in that moment
Taking life over a football in a field
Fatal mistake, playing in the rain

For the next one
Should I notice it
I’ll dowse for the result
Leaving nature to guide
Certainty abandoned
But decisions firmly made

Jane Nash

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